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Archive IndexArchive Index

01 Age 8 First Drum Kit 
02 Early Years 1976-1979
03 First Professional Years
04 Electric Pandas
05 Jackie / J.B.J.
06 1927
07 Other Credit 
08Teaching / Waratah
09 Publishing

Phillip Campbell Archive

A collection of photographs, press clippings, recordings, television appearances and career documents tracing Phillip Campbell’s musical journey from childhood performer to professional musician, educator and publisher.”

Explore the Archive

Age 8 — First Drum Kit / Early Practice

Memories
Phillip Campbell playing drums at age eight Karrabin QLD


EARLY YEARS — 1975–1979
Paid performances from age 10
Ballarat, Victoria

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Phillip began performing publicly as a drummer while still at primary school. Newspaper coverage from 1976 documents his early work as a drum soloist and young band musician, while surviving television production records show that by 1979 he was appearing in televised talent competitions. These early years established a pattern that would soon lead from solo performances into full-time professional band work.

Early Years 1975-1979

Rainbow — Phillip Campbell’s first band, age 10

Left column EARLY YEARS — 1975–1979 Paid performances from age 10 Ballarat, Victoria

Phillip Campbell performing on drums with Rainbow, an early band from his childhood years.

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ASTRAL — CRESWICK / BALLARAT, 1976–1977
Family Band • Hotels & Social Clubs
Age 11

In 1976–77, Phillip performed with his sisters Debbie and Tammy in the family band Astral. Phillip played drums, Debbie rhythm guitar and vocals, and Tammy bass and vocals.

By February 1977, Astral had been performing for around six months, appearing regularly at hotels and social clubs around Ballarat. A contemporary Ballarat newspaper feature described the group as a working family band and documented their rehearsals at the Campbell family home in Creswick.

The band’s repertoire ranged from contemporary pop and rock to dance material, while Phillip’s drum solos remained a feature of the performances.

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REHEARSING AT HOME

“Astral was a family band with my sisters Debbie and Tammy. We rehearsed at home in Creswick and played a number of gigs around Ballarat. I was only eleven, but by then playing in bands and performing in public already felt completely natural to me.”

The Courier, Ballarat — 18 August 1976

 

Eleven-year-old Phillip Campbell featured during his early years as a drum soloist, already performing publicly and developing his craft through regular tuition and drum-clinic study.

READ — Early Press.

Phillip Campbell featured in The Courier Ballarat in 1976 as a young drummer
Queensland Times — 21 December 1976
“Drummer Boy Makes It Big” — The Queensland Times, 21 December 1976. The article documents Phillip Campbell’s early development as a drummer, noting that he had already begun performing with bands and was gaining recognition for his playing at age eleven.
“Big Future for ‘Little Drummer’” — 1976. This early newspaper profile documents Phillip Campbell’s work as an 11-year-old drum soloist, noting his public performances, audience response and growing recognition as a young musician.
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From local stages to television

Pyramid Star Quest / National Star Quest — 1979

At approximately fourteen years of age, Phillip Campbell appeared as a solo drummer in the televised talent quest Pyramid Star Quest. Surviving production sheets record him as Act Five in Semi Final No. 2 on 28 July 1979 and Act Eight in the Final on 11 August 1979. National Star Quest, produced by Reg Grundy Productions for Australia’s regional television network, was broadcast across participating regional stations during the same period; surviving NFSA records also catalogue Phillip Campbell among the 1979 National Star Quest contestants.

FEATURED DOCUMENTS

Pyramid Star Quest — 1979

Semi Final - Final

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Whisky — Ballarat, Victoria

PLAYING WITH THE GROWN-UPS

WHISKY — BALLARAT, 1980
Rock & Blues • Pub & Dance Circuit
Age 14–15

By the age of fourteen, Phillip was performing regularly with Whisky, an established Ballarat rock and blues band whose other members were considerably older than him.

Contemporary advertisements from 1980 document Whisky performing at hotels, dances and venues throughout Ballarat and Sebastopol, including the Queens Head Hotel, Victoria Hotel, Exchange Hotel and St John’s Hall. The band also appeared as support to Australian rock group Ayers Rock at the Golden Point Football Club Rooms in July 1980.

Phillip’s recollection of the line-up includes Gregg Packham on vocals, Mick on guitar and Gerry on bass.

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“I was fourteen or fifteen, while most of the musicians I was playing with were in their twenties and thirties. On Friday and Saturday nights Dad would drive me to the gig and wait until we finished around midnight before taking me home.

At the time it didn’t seem particularly unusual I simply wanted to play. Whisky gave me my first real experience of being part of a working rock and blues band and playing the Ballarat pub circuit.”

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STOLEN CARS — PERTH, 1981–1982
Full-Time Professional Band Life
Age 15–17

Stolen Cars — Perth

After several years of paid performance work in Ballarat, Phillip left home at fifteen and entered full-time professional band life in Perth.

With Stolen Cars, music became an everyday occupation. The band worked extensively around Perth, combining regular live performances with rehearsals, soundchecks, band meetings and continual development of new repertoire.

An original Stolen Cars weekly schedule records a 32-hour working week devoted to the band, including performances, rehearsals and preparation. The group also appeared as part of Perth’s wider rock scene, including the 1982 Mighty Rock concert alongside Frames, Jets and Quebec.

The line-up included Greg Freeman on keyboards, John Wilson on bass, Philip Kirby on vocals, Warren O’Shanessy on guitar and Phillip Campbell on drums.

WATCH — STOLEN CARS LIVE, 1982
Charles Hotel, Perth
Stolen Cars performing “Commercial Breakup” by Thomas Dolby during a Friday-night engagement at the Charles Hotel, Perth, 1982.

Phillip Campbell — drums • Greg Freeman — keyboards • John Wilson — bass • Philip Kirby — vocals • Warren O’Shanessy — guitar

In memory of Greg Freeman

FROM QUEENSLAND TO PERTH.

“I had been earning money playing drums since I was ten, but Stolen Cars was another level entirely. I had left home at fifteen, trying to find my own way, and I could never have imagined that an audition in Queensland for a band called Norm Baxter and the Neuro Surgeons would eventually take me all the way across Australia to Perth.

Behind the project were two unlikely investors Glen Davies, a real estate agent, and Wayne Thompson, a policeman. They paid our airfares and accommodation and even bought the band a car. The story at the time was that the streets of Perth were ‘paved with gold’ for good cover bands, and they wanted to be part of it.

Once we arrived, the band became our life. We rehearsed during the day, learnt new material, reviewed gigs, soundchecked and performed at night. We lived together and employed four road crew. By seventeen, I had my own flat and was earning my living entirely through music.

For someone still in his teens, it was an extraordinary education — not simply in playing drums, but in what it actually meant to live and work as a professional musician. And importantly, Stolen Cars was successful. We worked constantly.”

Greg Freeman

“Greg was a very important person in my life during this period. I was still extremely young. He was a good musician, dependable and someone I could rely upon. We shared a house for more than a year, When we first arrived in Perth We had a different singer, ex army guy named Steve, he  was 36, and didn.t like my playing, he wanted a matched grip rock approach instead of a traditional grip player. Fortunately the Police were about with Stewart Copeland slammming the kit with Traditional grip. It was a tense time for me, the boys in the band stuck by me, and ironically he lost his gig. We then replaced him with a great frontman named Philip Kirby.  I'll always remember that time and wonder what if?

ARCHIVE DOCUMENT  STOLEN CARS WEEKLY ROUTINE.

An original band schedule documenting rehearsals, performances, meetings and a 32-hour working week.

Booking agency document detailing Stolen Cars’ bookings, performance schedule and working arrangements.

ORIGINAL BOOKING AGENT WORKSHEET  CONFIDENTIAL

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